Combining U-HE Protoverb with Tsar-1R can be fruitful too. Maybe you should try adjusting presets to taste a bit more? TSAR and TSAR-1R is one of the best engines out there if room recreation is the goal. Weird, it's the same engine with no restriction in terms of quality. Going to play around and keep testing the demos and freebees, and try some convo reverbs with Reaper's default plugin. I got a decent verb playing with the TSAR-1, but not good enough to drop cash for it. I couldn't really get a good sound from the TSAR-1R. You send your source tracks to two separate aux tracks, each with an instance of a different reverb- correct? I'll play around a bit with that and see if I can find a sweet spot. The parallel reverbs is an interesting idea I'd expect blending to help hide those digital artifacts and smooth things out. I'm going to check out demos of some of the pricier algorithmic reverbs and see if they sound as unnatural. Both, like other algorithmic reverbs I've tried so far, sound "digital" in isolation (especially the tails), though one doesn't hear those artifacts when blended in at the low levels one actually uses. I also downloaded the Acon Digital Verberate demo and tried that in parallel per your suggestion. Expander presets actually do a nice job of widening the stereo field gently. I would love to hear your feedback on your guitar+voice with this technique. For instance OrilRiver and Sanford Reverb in parallel. Great results can be had, in my opinion, by mixing TWO reverbs in parallel. Tell me what you think and how it compares to what you've tried so far. (No I don't work for anyone involved with Sonible or the sale LOL.) I never even heard of this tool until two days ago. Potentially useful for sound design, or as an unwanted noise reduction tool.Īnd all of these features can be applied either globally or surgically, wherever on the frequency spectrum you like, and to the exact degree you like. For example, you can increase or decrease the scraping noises made by a string player, that sort of thing. non-harmonic components of an audio source. This augments or attenuates the harmonic vs. It's very good for creating movement, for instance a human voice walking toward you or away from you while speaking, and you can use this in conjunction with envelopes in Reaper to magnify the effect.ģ) Entropy. Thus it can function, among other things, as a deverberator, and has (not sure how much yet) some utility for taking very wet, baked sample libraries and making them more neutral for mixing with other libraries recorded in different spaces. This is as a spacial tool, making the sound source sound nearer or further away by either augmenting or attenuating the natural room ambience of an audio source.
I've tested with several tracks on which I did things such as butcher the high end with band pass filters to see what it recognizes and tries to restore. I have no problem admitting that when it comes to carving out frequency notches and the like, I am happy to take all the help I can get. You hit the magic wand and it takes a snapshot of your audio and draws very detailed curves, which you can then fully customize easily and quickly. It has three special functions:ġ) Samrt EQ (a la Neutron etc.). It looks like an EQ, but it's not really quite an EQ (though it can be a standard parametric EQ if you want). I'm just a piano player who's not generally excited about new effects plugs. I am no plugin guru, nor am I an audio engineer. Yeah, I tried the demo and immediately bought it.
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